New Media, New Aesthetics
Defining Characteristics
of "New Media" and "Information Technology"
- For the purposes of this class,
new media . . .
- Are created by and/or communicated through a computer
and related information technologies
- I.e., a digital medium as opposed to older
media which are analog
- Difference between "technology" and "media"
- Technology is the machinery, the equipment, the wiring
(the hardware) and the programs necessary to run it (the
software)
- Media are phenomena that use hardware/software to present
information, narrative, propaganda, etc. to a user
- Have the potential to alter the position of the spectator (i.e.,
the reader/viewer/listener or the "subject"). Obviously, not all
new media do this.
- Some new media require subjects who pull information toward
them rather than have it pushed toward them.
- Interactivity: the subject interacts with the medium and
alters it according to his/her needs, desires, whims
- Have erased the difference between the original and the copy
- Calls into question the notion of authenticity
- Permits identical copies of something to exist in more
than one place at a time.
- Threatens the laws of intellectual property (i.e., copyright)
- How does it change our notion of the text, of, say, an artwork?
- Have--through computer networking--revolutionized the distribution
of texts.
Although new media take many
forms, we'll use the World Wide Web and computer-mediated communication
(CMC) as our test cases.
Contextualizing These
New Media
What do they share (in, perhaps, modified form) with older media?
- Print Media: Books, Periodicals (magazines and newspapers) and Still Photography
- The use of words to entertain, provide information, convince/propagandize
- The Web's content is still predominantly communicated through
text
- Periodicals
- The combination of text and static (not moving) images
- Page design and layout of new media are heavily indebted to principles
of composition from print publications
- Photography
- Digital photography incorporates many of the technologies
of analog photography (e.g., lenses), but revolutionizes the darkroom
process
- Still, photographic aesthetic principles remain largely
the same
- Books
- 19th century novel provides one basic structure for narrative
- Roland Barthes's Hermeneutic code
- Narrative structure can be traced even further back through
long tradition of story-telling
- The Cinema
- Moving image
- Based on succession of still frames and persistence of motion
- Editing
- The displacement or juxtaposition of one image by another
- Achieved, e.g., through hypertext linking--one Web screen replacing
another
- Broadcast Television and Video
- Computer monitor uses same technology as TV/video monitor
- Bits of light (pixels) are illuminated by an electron
gun
- Illusion of movement comes from refreshing of still images
Last revised: May 16, 2000 9:03 AM
Comments: jbutler@ua.edu