Instructor: Jeremy Butler Office: 430C Phifer Hall, 348-6350 Office hours: TT 2-3:00, MW 3-4:00 |
E-mail: jbutler@ua.edu |
The objective of this course is to introduce the student to television critical
studies, or what is commonly called, within academics, "television criticism"
(a parallel with literary criticism).
We will seek, first of all, to understand television as a unique
meaning-producing medium--dissecting television's narrative and non-narrative
structures and its uses of mise-en-scene, cinematography/videography, editing,
and sound. Second, we will confront the critical methods that have been applied
to the medium over the past 20 years: semiotics, genre study, ideological
criticism, cultural studies, and so on.
Our goal is to become more intelligent, alert, critical viewers of
television.
The student's grade will depend upon two separate components:
Student grades will be posted (by the last four digits of your student ID number) on the TCF Department Web site (http://www.tcf.ua.edu). If you do not wish your grade to be posted in this manner, please notify me in writing.
(subject to changes announced in class)
Date | Topic/Screening | Readings |
1/7 | Introduction to the Course The Andy Griffith Show (1960-68) |
|
1/12 | TV Structure, Narrative Structure | Butler, chs. 1, 2 |
1/14 | Characters, Actors, Stars | Butler, ch. 3 |
1/19 | Beyond and Beside Narrative Cops (1989-), The Real World (1992-), CBS/NBC news |
Butler, ch. 4 |
1/21 | Mise-en-Scene Northern Exposure (1990-95) Illustrations |
Butler, ch. 5 |
1/26 | Cinematography/Videography He Said, She Said (1991), The Larry Sanders Show (1992-98) |
Butler, ch. 6 |
1/28 | Editing: Single Camera Mode Northern Exposure (1990-95) |
Butler, ch. 7 |
2/2 | Editing: Multiple Camera Mode Seinfeld (1990-98) , All My Children (1970-) |
Butler, ch. 7 |
2/4 | Sound Movie Magic (1994-) |
Butler, ch. 8 |
2/9 | A History of TV Style | Butler, ch. 9 |
2/11 | Special Topics I: Music Television | Butler, ch. 10 |
2/16 | Special Topics II: Animation Steamboat Willie (1928), Pigs Is Pigs (1954), The Flintstones (1960-66) |
Butler, ch. 11 |
2/18 | **Analysis One Due in Class** | Butler, ch. 13 |
2/23 | Critical Methods: An Overview | Butler, ch. 12; Allen, Introduction |
2/25 3/2 |
Semiotics The Wonder Years (1988-93), Discussion Questions |
Allen, ch. 1 |
3/4 | Narrative Theory Homicide (1993-) |
Allen, ch. 2 |
3/9 | Audience-Oriented Criticism | Allen, ch. 3 |
3/11 3/16 |
Genre Study Roseanne (1988-97), Murphy Brown (1988-98) |
Allen, ch. 4 |
3/18 3/23 |
Ideological Criticism Cagney and Lacey (1981-88) |
Allen, ch. 5 |
3/25 | Psychoanalytic Criticism | Allen, ch. 6 |
3/26 | **Analysis Two Due: 4:45 p.m., TCF Office** | |
3/29-4/2 | Spring Break | |
4/6 | Psychoanalytic Criticism, Cont. | |
4/8 |
Feminist Criticism The Real World (1992-), Madonna: Truth or Dare (1991), Justify My Love (1994) On the Madonna controversy (Laurie Schultze) (username/password: tcfuser) |
Allen, ch. 7 |
4/15 4/20 |
Cultural Studies, Ethnography My So-Called Life (1994) |
Allen, ch. 8 |
4/22 | Postmodernism The Simpsons (1989-) Illustrations |
Allen, ch. 9 |
4/23 | **Analysis Three Due: 4:45 p.m., TCF Office** | |
4/27 | Postmodernism, Cont. Twin Peaks (1990-91) |
Allen, ch. 9 |
4/29 | Course Summary | |
5/8 | **Final Exam: Saturday, 2-4:30 p.m.** |
All acts of dishonesty in any work constitute academic misconduct. The Academic Misconduct Disciplinary Policy will be followed in the event of academic misconduct.
To request disability accommodations, please contact Disabilities Services (348-4285). After initial arrangements are made with Disabilities Services, contact Jeremy Butler.